Questioning the Canon

I was in the best of settings when I realized that Shakespeare was indeed great. My freshman year in high school, I had English class with an esteemed teacher, Mr. Broza—hailed as the Paul D. Schreiber High School Shakespeare aficionado, founder of Schreiber’s Annual Shakespeare Day, and, perhaps most heart-warming of all, a self-proclaimed Shakespeare lover whose posters of The Bard could be found as wallpaper in his small office. How lucky I thought I was. Indeed, if I wanted to appreciate Hamlet, I was in the right hands.

But how misled I actually was—at least, in Walker Percy’s eyes. In his essay, “The Loss of the Creature,” Percy recalls a scene from The Heart Is a Lonely Hunter:

…the girl hides in the bushes to hear the Capehart in the big house play Beethoven. Perhaps she was the lucky one after all. Think of the unhappy souls inside, who see the record, worry about the scratches, and most of all worry about whether they are getting it, whether they are bona fide music lovers. What is the best way to hear Beethoven: sitting in a proper silence around the Capehart or eavesdropping from an azalea bush?

Percy here contrasts two different approaches to viewing art—the girl who informally and spontaneously encounters the work of art, out of context, as opposed to the “unhappy souls inside” who formally prepare themselves for a kind of pre-packaged listening experience. Percy wonders which is better—a question meant for the reader’s pondering. But his essay offers his answer: we can only truly see or hear a piece of art by “the decay of those facilities which were designed to help the sightseer”. Perhaps Percy is right—it might have been better if my experience with Hamlet had been an accidental discovery rather than a guided tour, an “eavesdropping from an azalea bush” rather than “proper silence around the Capehart.” Perhaps I should have encountered the text unaware of its origin but intrigued by its mystery. After sitting by a tree and reading the text front-to-back, perhaps then I would be able to “see” Shakespeare in Percy’s sense of the word.

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The New Novel

Salon.com has an interesting article about the craft of writing. It’s from 2010, but still interesting.

… far more money can be made out of people who want to write novels than out of people who want to read them. And an astonishing number of individuals who want to do the former will confess to never doing the latter. “People would come up to me at parties,” author Ann Bauer recently told me, “and say, ‘I’ve been thinking of writing a book. Tell me what you think of this …’ And I’d (eventually) divert the conversation by asking what they read … Now, the ‘What do you read?’ question is inevitably answered, ‘Oh, I don’t have time to read. I’m just concentrating on my writing.’”

When I was younger, I thought there was no greater ambition than becoming the writer of the next great novel. However, this article made me reflect on my own media consumption habits, and what a small audience I would affect even if I did write such a work.

I think similarly about painting and sculpture and classical music. These expressive forms are certainly demanding of skill, but who is the audience?

It would be unfair to consider television programming or film the new novel. Certainly, these media have the capacity to change people’s ideas and have a wide impact. But, even with the technology and cost barriers breaking down on film production, it lacks the visceral nature of writing. Anyone with an idea and a pen (or laptop) can pursue writing, but you have to be a technician of sorts to make a film.

By this disqualification, software — though increasingly recognized as an art form — is definitely not it, either. So, what is?

Turning 27

Today, I turn 27. Even though I was deep in the middle of a project late last night, I peeled myself away from my monitors, went to sleep, and woke up late to enjoy a day of reading outside.

Parse.ly has an official “take your birthday off” policy, so I made sure to set a good example.

I remember when I was younger, I used to look forward to birthdays very eagerly. Birthdays were when I got a new videogame or programming book. Birthdays were about stuff, and taking the day to play with new toys.

Now, over a decade later, my birthday is much less about stuff. I don’t play videogames anymore, and I already know how to program. I am fortunate to live comfortably and don’t long for stuff any longer. My Nintendo Wii gathers dust (like everyone else’s, it seems). My computer is no longer used to amuse me, but to allow me to work on my passions — building software, building a company, staying informed, informing others. I have a seemingly endless queue of books I’d like to read, movies I’d like to watch, things I’d like to write, software I’d like to build. I’ve come to realize that birthdays, at my age, are more about time.

In my ruthlessly efficient worldview — where I regularly talk of cost-benefit analysis, backlog prioritization, and productivity — my birthday has become about taking a moment to flip my prioritized world on its head. Let’s not pick an item from the top of the prioritized backlog. Instead, let me take something from the backburner, for once. Let me behave — if only for a day — as if I had all the time in the world.

I don’t need stuff. I just need time. Of course, that’s the bittersweet part of one’s birthday. That even as you come to realize the importance of time, the day acts as a reminder of how our time on this earth is limited. 1 day passes, and only n-1 left to make a difference.

Non-native New Yorkers

Nobody moves to New York because they think they’re just like everybody else. A young kid, fueled by a toxic blend of bravado and wicked insecurity, can expend a truly terrifying amount of energy trying to prove her exceptionalism, prove that she is different (read: better) than the dull hometown peers she left behind, who go to uncreative jobs in uncreative clothes, eat at Chili’s, practice monogamy.

Describes many non-native New Yorkers really well. No offense non-natives, but some of you are definitely trying to prove something! 😀 From Dirty pictures I didn’t want taken

An Empty Calendar, a Dusty Blog

I took a look at my WordPress calendar, and realized I haven’t written a post in over a month. A sad state of affairs — I guess my blog waxes/wanes in and out of popularity for me.

One thing I have wanted to do is to create a “schism” in my blog between the political and technological sections. I realize there is no sense forcing my audience to wade through technology posts to get to the political stuff they may be interested in, and vice versa.

The main thing stopping me from doing so is the fact that even as I have a single blog for these two topics, I hardly find the time to post to either of them. That isn’t to say I don’t have much to say. I’ve been reading quite a bit lately about Lisp (for the first time in my life), and have interesting ideas surrounding my use of Eclipse technologies and modeling tools at work. I have been following a lot on the political side of things, from Libby’s commuted sentence to debates over globalization, to WSJ’s potential new owner. And I’ve finished a slew of books, from John Kenneth Galbraith’s The Affluent Society to Jared Diamond’s Guns, Germs and Steel.

But I just lack the time to write. I’m busy at work (at least 10-12 hours a day, when you include commute time), and the last thing I want to do when I get home is use computers some more. Which is sad, but an inevitable result of my situation.

I truly do not want this blog to die. How might I save it?

The Unkindest Cut

A relatively unsophisticated article on circumcision showed up on Salon a few days ago. It’s entitled “The Unkindest Cut” and is about the conflict of a Jewish father between his Jewish mother and his non-Jewish wife over the issue of whether to circumcise his newborn son. Although it mentions some of the history of circumcision in the United States, it doesn’t go into nearly enough depth about how strange and barbaric the practice is. A letter that came into Salon from a reader has some good points, however:

This is one of the hottest parenting issues (along with breastfeeding and sleeping). I am not surprised that Salon is already flooded with letters and the emotions are rising high on both sides. I am the mother of a 3-year-old boy. He is uncircumcised and the idea of having him circumcised never even crossed my mind. I am from Europe, therefore circumcision is not part of my culture. My husband is a Hindu from India, so it isn’t part of his culture either. There is more and more evidence that shows that circumcision is an unnecessary procedure. There are more and more organizations and individuals trying to educate the public about this. Two of my favorites are: www.jewsagainstcircumcision.org and www.nocirc.org.

There is lots of very useful information regarding this topic. There are a few points I’d like to make for the sake of argument against it. Some fathers say: I want my son to look like me. So if you had a finger, a hand, or an arm missing from birth or as a result of an accident would you want to chop off your child’s corresponding body part just to make him look like you? (Sorry this is not my own idea but I like it a lot). The other point is my original thought: we, as Western society are outraged by the practice of female circumcision (mostly practiced in Africa and some predominantly Muslim areas elsewhere). What is the difference? That female circumcision is not a tradition in our culture. So it’s O.K. to keep mutilating our boys as long as we leave our girls alone… How hypocritical! And on top of that both traditions originate on the same basis: to reduce sexual pleasure and the desire to masturbate and enjoy sex.

As per some first person accounts from men who grew into adulthood intact and then got circumcised, they tell exactly how much less pleasurable sex is afterwards… Do a search on your favorite search engine for more info on the topic.

So as a parent of a boy I will leave my son’ penis alone and will make sure that everybody else does until he is old enough to make a decision about having his own body part cut off (which I think would only occur if he ends up having problems with having foreskin and sex would be unpleasant or painful).

I am not condemning people who think differently. I simply feel sorry for their baby boys… I hope one day we’ll come to our senses about this painful and inhumane practice.

As for the author, I feel sorry for him too, that he had to go through this emotionally painful experience to come to understand that he made the wrong choice.

I have a lot more to say on this topic (in fact, in college I wrote long research papers on the topic, including some original research into grotesque Victorian age masturbation control techniques, which were the precursors to routine circumcision), but probably won’t get the time to write it up. If you’re wondering about it, drop me a line.

“The Good Shepherd”: A Good Film Concept, but Lacks a Pulse

I have to agree with Peter Travers’ review of The Good Shephard. The movie is not a complete failure: it’s beautifully made, and beautifully acted. Unfortunately, it is just not well-written.

We go through three hours of meeting character after character, in different time periods, sometimes the same character appears twice with different names (due to double-agentry), and at the end of it all you feel that the only character who got a bit of development was the leading one, Matt Damon’s, who hardly spoke a word throughout the movie.

I tried hard to like this movie, I really did. But I think it’s a crime to employ this much acting and cinematography talent, and end up with a movie that says little else about life inside the CIA but the spy cliche, “trust no one.” The movie is full of visually memorable scenes, but absolutely no memorable dialogue.

The movie should have been more focused, had less characters, and covered less ground. DeNiro: either you make a seven hour epic, or you make a Hollywood two hour film. You can’t have your cake and eat it too, I’m afraid.