Andrew Montalenti

From TFA:

This is a stunning, damaging decision for public radio and its commitment to music discovery and education, which has been part of our tradition for more than half a century. Public radio’s agreements on royalties with all such organizations, including the RIAA, have always taken into account our public service mission and non-profit status. These new rates, at least 20 times more than what stations have paid in the past, treat us as if we were commercial radio – although by its nature, public radio cannot increase revenue from more listeners or more content, the factors that set this new rate. Also, we are being required to pay an internet royalty fee that is vastly more expensive than what we pay for over-the-air use of music, although for a fraction of the over-the-air audience.

Internet Radio is in danger.  (Thanks for the heads up, Jeff Evans.)  This means sites like Pandora may have to be shut down.  Do something about it.  I wrote the following letter to my NY representatives:

The Copyright Royalty Fees for Internet Radio broadcasters (like the hugely innovative Pandora.com) have been increased to the point where many of these stations will have to close down.

The music industry has certainly made a big fuss about threats coming from the Internet, but I don’t spend any of my nights crying for the music industry.  They make millions upon millions of dollars, and keep America locked in a relative monoculture where new and independent artists are left out of the musical discourse while mindless and mind-numbing music is played everyday on radio stations across the ClearChannel nation.

Yet, despite my relative dislike for this exploitive industry, I have to say that every technological innovation that we’ve seen — from LPs to tape cassettes to CDs, and now to MP3s — has seen an increasingly growing recording industry, usually due to, rather than in spite of, these technologies.

Interent Radio actually has more of a potential to benefit the music industry than any other one of these technologies.  If you don’t know, Pandora.com is an amazing site based upon “The Music Genome Project.”  The concept is simple: you enter a song or artist on the site, and it creates a playlist of songs that “sound like” that artist or song.  I can mix these intangibles (“The Doors” and “Michael Jackson” gives me classic rock tones with pop melodies) and discover new artists I had never even heard about, simply by exploring my “taste matrix.”  This amazing functionality comes in particular handy after I get my paycheck, since I go to Pandora.com, see which artists/songs I’ve listened to lately, and with a click I can purchase these songs from the music industry.

I hadn’t bought a CD in years, until discovering Pandora and, through it, independent music I liked.

Who, exactly, loses in this situation?  I discover songs I’ve never heard of, I buy CDs that probably don’t sell very well, I get to benefit from high-quality radio from work on my work PC, and Pandora makes a tiny slice of money on advertising.

I’m sure the music industry wishes they had thought of Pandora, so that the little money that it does make from advertising would be theirs.  But tough!  This is supposed to be a competitive economic system, and if you snooze, you lose.  (Given actions like these by government, I’m not sure that it is really a competitive economic system, unfortunately!)

This is only the beginning of the places these technologies can go.  Don’t allow their efforts to be quelled by big corporate interests!  Please strike down these ridiculous copyright fees!

Think Corporate Power is showing any signs of weakness?  Nope.  The big wheels keep on turning…

Lately, I’ve been very diligent about catching up on my reading.

I have been perpetually delaying a review of Capitalism 3.0 and Dreaming in Code, both of whom deserve it. But I promise one soon. I use Hofstadter’s Rule of Thumb lately for estimating time: however long you think it’s gonna take, double it and add a unit of time. So if you think it’ll take two hours, it’ll really take four days. If you think it’ll take five days, it’ll really take 10 weeks. And so on.

In the meanwhile, I’ve been busy at work — actually working on some cool stuff from a technology standpoint, mainly in the realm of hacking with pieces of the Eclipse Modeling Framework, and its related projects like GMF, RCP, Eclipse Core, etc.

On my commute, I’ve been enjoying reading Making Globalization Work by Stiglitz. Although one of my friends mentioned to me that this book would be quite boring, and for the most part he was right. Not the lofty stuff of Barnes in Capitalism 3.0; but perhaps Stiglitz’s recommendations are much more practical for ways to improve the current system.

The other book I started recently is a long, written interview with John Kenneth Galbraith (much in the style of Socrates) which is entitled, Almost Everyone’s Guide to Economics. What’s amazing is to see Galbraith, this towering (literally) Keynesian economic thinker, speaking in the 70s of the growth of corporate power, the undermining of labor, and the insidious nature of market fundamentalism. And yet, here we are, 30 years later, heeding none of his warnings, and entering into the new “global age” of “The World is Flat”.

Oh yes indeed, I do need to write some reviews very soon.

Overall, Dreaming in Code was an interesting book. For programmers who already are obsessed with the classics of software engineering (Mythical Man-Month and friends), you probably won’t learn much new stuff in this book. However, the personal illustrations using OSAF did lead me to some self-evaluation of the work I do. It was also interesting to see the internal workings of an organization which seems to be set up ideally for programmers — a good mission, an open source project, no real deadlines or users in the beginning, design-focused, etc. — and still see it run into the same issues traditional software shops run into.

I’d post a longer review, but I’m headed down to New Orleans today. Will post a longer review when I get back, hopefully also of Capitalism 3.0, whose ideas have been swimming in my head the last few days of commute.  I think they really deserve to be summarized and presented here.

In the meanwhile, I’ve started reading Making Globalization Work by Joseph Stiglitz. This book, in particular, has been a kind of catharsis for most of my armchair ideas in economics, at least so far.  It’s a very strange feeling to read the ex-Chief Economist of the World Bank explaining his own ideas about overcoming the zealousness of “market fundamentalism” prevalent in economic circles, while I, who never studied economics formally, think, “Why would anyone trained in this discipline actually believe that markets are a magic force that work on their own?”  But I guess ideology always trumps rationality.

I found a site today called “Fora.tv”. It’s way more interesting than YouTube: it’s a free video site that features intellectuals and figures in public discourse.

Perfect for my commute. Up till now, I’ve been depending on PBS, which has good content, but doesn’t give it all away for free.

Check it out: Fora.tv.

In particular, there’s a talk by Peter Barnes (author of Capitalism 3.0) in there.